Indigo-dyed cloth on paper 22” x 28″ 2017 On display at DZINE Gallery, 128 Utah St, San Francisco, as part of Tracks and Echoes, which runs through April 2018.
Quiet, Stillness and the Right Kind of Noise My art practice so far consists of me, sitting at a low table in my studio, with my face pointed away from the door, hunched over my drawings. My studio is on the second floor of a building that once was the headquarters for officers in the Air Force; the building and the field around is now for civilian use. The ceiling
My drawing “Just Naver It” is a play on the US popular culture phrase, “Just Google It,” referring to the prevalence of the internet search engine as a means to provide the answer to everything. Naver is the equivalent popular browser in S Korea. Apparently, CICA has an interesting history: it was started from the sculptor Czong Ho Kim’s studio. It has turned into a unique cultural space. They foster
I don’t usually do mail art, but I really like the idea of getting art in the mail, so I showed up and made this piece for a show of international collage, paint, assemblage, and written word artists. This was right at the start of my interest in traditional Japanese boro textiles. This is a very simple example of the simple running stitch (“sashiko”) used in boro.
In May 2015, I entered the #The100DayProject. The premise was simple, but hard: do something for 100 days. I wrapped, tied, and knotted 6″ of twine for (over) 100 days. I swear, this little thing grew like a chickenheart.
“I had a discussion with a great master in Japan, and we were talking about the various people who are working to translate the Zen books into English, and he said, “That is a waste of time. If you really understand Zen, you can use any book. You could use the Bible. You could use Alice in Wonderland. You could use the dictionary, because the sound of rain needs no