PACK YOUR BAGS SOMETHING SMALL I sit in the middle of the intersection (of art, design + craft). It is safe to be here as an artist. Some doubt that–but is it art? If the artist is showing… it is. Is it forward looking? Yes. Poetic? Very. “I have a portable home that I always carry with me which is literature and memories.” — Writer Azar Nafisi about her life
TEXTILE SKETCHBOOK II (Quiet Jenny) Pencil, indigo-dyed textiles, paint, thread, colored pencil, old book pages Textile sketchbooks are my way of reasoning. Of working through, and of accepting and embracing randomness and pushing forward. If a part lands a certain way, I try not to move it. I have dozens of these pages; if I am lucky one of them works and shows me the way. The yellowing and brittleness
MAD et LEN is a Parisian artisanal scent company with a quote from Marcel Proust’s “Swann’s Way” at the core of their work. They recently chose one of my IMPACT drawings on Instagram as graphite inspiration for their Monochrome Graphite parfum: scent of grey, of cropped Japanese hinoki wood. THE SMELL AND TASTE OF THINGS REMAIN POISED A LONG TIME, LIKE SOULS, READY TO REMIND US, WAITING AND HOPING FOR
For the #artistsupportpledge, I am offering NATURE +1 and TEXTILE SKETCHBOOK I. The #artistsupportpledge is an Instagram movement conceived by Sussex-based artist Matthew Burrows to provide a platform for artists to share and sell their work through a straightforward, artist-to-patron, artist-to-artist formula. Artists post images of a work for sale for no more than £200 ($230), and when their sales reach £1,000 ($1,155) they promise to buy another artist’s work for £200.
COMING UP, COVID WILLING SHOW: Cloth2Paper at Paper Circle, Nelsonville OH This show will be a continuation of my series on cloth on paper. The shapes are reminiscent of classical origami forms, without folds.
We Move Lightly… Un/Common Threads A solo exhibition by Bay Area artist Barbara Bryn Klare exploring art and sustainability through a rich and complex practice weaving together rescued textiles, objects and natural elements. Now through June 6th. of the day: We Move Lightly by Dustin O’Halloran
IN PURSUIT OF ERROR This image is a blurred lower right section of a John Gossage (b. New York, 1946) collage from the series “Hey, Fuckface” showing at Casemore Kirkeby in San Francisco. John Gossage is a photographer noted for exploring under-recognized elements of the urban environment, abandoned tracts of land, debris and garbage. The series consists of collages made from silver gelatin prints and torn-up, used craft paper with
ragged tattered patched wrecked beauty + decaying form . things fragile, handmade or in need of repair boro inspired
Quiet, Stillness and the Right Kind of Noise My art practice so far consists of me, sitting at a low table in my studio, with my face pointed away from the door, hunched over my drawings. My studio is on the second floor of a building that once was the headquarters for officers in the Air Force; the building and the field around is now for civilian use. The ceiling